direct LINK
TO PHLIGHT SITE
Imagine,
If you can, that you wake up one morning to find a full scale section
of an aeroplane
wing dissecting your living space. What could possibly have happened?
Everything
seems undisturbed, there is no rubble or evidence of a crash. Rather
it is as if time has stopped while a ghost plane flies through your
apartment. You go to touch the metallic surface believing that it will
vanish, some apparition or dream, but the cold metal does
not yield.
Simon Tyszko has contracted engineers to build a full size replica of
a section of a
dakota wing that literally cuts through his living space, a 5th floor
flat in Fulham, London.
Tyszko has removed most of the internal walls of his flat so that he cannot
escape this
intervention, be he having a bath or preparing a meal. He will live
with this wing forone
year, in which time, the installation will be open to the public on a
couple of days per
week, viewed by appointment or through webcasts on the Phlight web site.
Also during this period, a number of writers will be responding to Tyszko?s
installation, in the form of texts for a forthcoming publication at the end of the project.
Obviously an aeroplane in an apartment cannot help but reference the
horrifying events of September 11th, but Tyszko?s attempt to live with
this monumental metaphor makes
this an optimistic exploration of potential ways forward. We may all
have to live with the unseen threat imposed upon us since that fateful day, but Tyszko is literally
living in the
shadow of the wing. Recognising this absolute, Phlight will open on September
11th
2007, but apart from this, no attempt has been made to link this work to the events of this anniversary.
It merely becomes an architectural fact, something for the artist to negotiate
in his everyday existence.
For Tyszko it is a monument to ideas and four years planning that he
now has to live
with. For the rest of us, it is the opportunity to witness this terrifying
yet beautiful
intervention in domestic space and contemplate our own reactions.
Simon Tyszko lives and works in London. Having never felt the need to
conform to
careerism he took a twenty year break in his art education to work with
bands like the
Clash. He showed with Jibby Bean in the late Nineties and has recently
been included
in exhibitions and events at the ICA, London and the Jerwood Gallery,
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