{"id":1029,"date":"2014-04-23T01:14:46","date_gmt":"2014-04-23T00:14:46","guid":{"rendered":"https:\/\/www.theculture.net\/radio\/?p=1029"},"modified":"2015-05-07T15:09:16","modified_gmt":"2015-05-07T14:09:16","slug":"melanga","status":"publish","type":"post","link":"https:\/\/theculture.net\/radio\/melanga\/","title":{"rendered":"melanga"},"content":{"rendered":"<!--powerpress_player--><div itemscope itemtype=\"http:\/\/schema.org\/AudioObject\"><meta itemprop=\"name\" content=\"melanga\" \/><meta itemprop=\"uploadDate\" content=\"2014-04-23T01:14:46+01:00\" \/><meta itemprop=\"encodingFormat\" content=\"audio\/mpeg\" \/><meta itemprop=\"description\" content=\"In Conversation with Gerard Melanga and Dr Jean wainwright\nGerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist.\nAndy Warhol and The Factory\nGerard Malanga worked closely with Warhol during t...\" \/><meta itemprop=\"contentUrl\" content=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-s02-e14-melanga-xx-tt.mp3\" \/><meta itemprop=\"contentSize\" content=\"138.2\" \/><div class=\"powerpress_player\" id=\"powerpress_player_9647\"><a href=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-s02-e14-melanga-xx-tt.mp3\" title=\"Play\" onclick=\"return powerpress_embed_html5a('9647','https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-s02-e14-melanga-xx-tt.mp3');\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/powerpress\/playsimp2long5.png\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n<\/div><p style=\"text-align: left;\">In Conversation with Gerard Melanga and Dr Jean wainwright<\/p>\n<h2><span id=\"Andy_Warhol_and_The_Factory\" class=\"mw-headline\"><b>Gerard Joseph Malanga<\/b> (born March 20, 1943) is an American <a title=\"Poet\" href=\"http:\/\/en.wikipedia.org\/wiki\/Poet\">poet<\/a>, <a title=\"Photographer\" href=\"http:\/\/en.wikipedia.org\/wiki\/Photographer\">photographer<\/a>, <a class=\"mw-redirect\" title=\"Filmmaker\" href=\"http:\/\/en.wikipedia.org\/wiki\/Filmmaker\">filmmaker<\/a>, <a title=\"Curator\" href=\"http:\/\/en.wikipedia.org\/wiki\/Curator\">curator<\/a> and <a title=\"Archivist\" href=\"http:\/\/en.wikipedia.org\/wiki\/Archivist\">archivist<\/a>.<\/span><\/h2>\n<h2><span id=\"Andy_Warhol_and_The_Factory\" class=\"mw-headline\">Andy Warhol and The Factory<\/span><\/h2>\n<p>Gerard Malanga worked closely with Warhol during that artist&#8217;s most creative period, from 1963 to 1970.<sup id=\"cite_ref-2\" class=\"reference\"><a href=\"http:\/\/en.wikipedia.org\/wiki\/Gerard_Malanga#cite_note-2\">[2]<\/a><\/sup> A February 17, 1992 article in <i>The New York Times<\/i> referred to him as &#8220;Andy Warhol&#8217;s most important associate.&#8221;<sup id=\"cite_ref-3\" class=\"reference\"><a href=\"http:\/\/en.wikipedia.org\/wiki\/Gerard_Malanga#cite_note-3\">[3]<\/a><\/sup><sup id=\"cite_ref-4\" class=\"reference\"><a href=\"http:\/\/en.wikipedia.org\/wiki\/Gerard_Malanga#cite_note-4\">[4]<\/a><\/sup><\/p>\n<p>Malanga was involved in all phases of Warhol&#8217;s creative output in silkscreen painting and filmmaking. He acted in many of the early Warhol films, including <i><a title=\"Kiss (1963 film)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Kiss_%281963_film%29\">Kiss<\/a><\/i> (1963), <i><a title=\"Harlot (1964 film)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Harlot_%281964_film%29\">Harlot<\/a><\/i> (1964), <i><a class=\"mw-redirect\" title=\"Soap Opera (1964 film)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Soap_Opera_%281964_film%29\">Soap Opera<\/a><\/i> (1964), <i><a title=\"Couch (film)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Couch_%28film%29\">Couch<\/a><\/i> (1964), <i><a title=\"Vinyl (1965 film)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Vinyl_%281965_film%29\">Vinyl<\/a><\/i> (1965), <i><a title=\"Camp (1965 film)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Camp_%281965_film%29\">Camp<\/a><\/i> (1965), <i><a title=\"Chelsea Girls\" href=\"http:\/\/en.wikipedia.org\/wiki\/Chelsea_Girls\">Chelsea Girls<\/a><\/i> (1966); and co-produced <i>Bufferin<\/i> (1967) in which he reads his poetry, deemed to be the longest spoken-word movie on record at 33-minutes nonstop. Malanga played a combination of <a title=\"Lee Harvey Oswald\" href=\"http:\/\/en.wikipedia.org\/wiki\/Lee_Harvey_Oswald\">Lee Harvey Oswald<\/a> and <a title=\"Jack Ruby\" href=\"http:\/\/en.wikipedia.org\/wiki\/Jack_Ruby\">Jack Ruby<\/a> in Warhol&#8217;s film <i><a title=\"Since (film)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Since_%28film%29\">Since<\/a><\/i> (1966). Also in 1966, he choreographed the music of the <a class=\"mw-redirect\" title=\"Velvet Underground\" href=\"http:\/\/en.wikipedia.org\/wiki\/Velvet_Underground\">Velvet Underground<\/a> for Warhol&#8217;s multimedia presentation, <i><a title=\"Exploding Plastic Inevitable\" href=\"http:\/\/en.wikipedia.org\/wiki\/Exploding_Plastic_Inevitable\">The Exploding Plastic Inevitable<\/a><\/i>. In 1969, Malanga was one of the founding editors, along with Warhol and <a title=\"John Wilcock\" href=\"http:\/\/en.wikipedia.org\/wiki\/John_Wilcock\">John Wilcock<\/a>, of <i>Interview<\/i> magazine.<sup id=\"cite_ref-5\" class=\"reference\"><a href=\"http:\/\/en.wikipedia.org\/wiki\/Gerard_Malanga#cite_note-5\">[5]<\/a><\/sup> In December 1970, Malanga left Warhol&#8217;s studio to pursue his work in photography.<\/p>\n<p style=\"text-align: center;\">[field name=xframe]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Conversation with Gerard Melanga and Dr Jean wainwright Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist. Andy Warhol and The Factory Gerard Malanga worked closely with Warhol during that artist&#8217;s most&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/theculture.net\/radio\/melanga\/\">Tune in to this episode<span class=\"screen-reader-text\">melanga<\/span><\/a><\/div>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1029","post","type-post","status-publish","format-standard","hentry","category-sonic-detours-with-simon-tyszko-on-resonance-fm-londons-premiere-arts-station","excerpt","zoom","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/1029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/comments?post=1029"}],"version-history":[{"count":0,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/1029\/revisions"}],"wp:attachment":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media?parent=1029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/categories?post=1029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/tags?post=1029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}