{"id":2097,"date":"2016-04-26T20:00:07","date_gmt":"2016-04-26T19:00:07","guid":{"rendered":"https:\/\/www.theculture.net\/radio\/?p=2097"},"modified":"2016-04-26T20:43:48","modified_gmt":"2016-04-26T19:43:48","slug":"asymmetrical-monolocution-and-a-musical-algorithm","status":"publish","type":"post","link":"https:\/\/theculture.net\/radio\/asymmetrical-monolocution-and-a-musical-algorithm\/","title":{"rendered":"Asymmetrical MonoLocution and a musical algorithm"},"content":{"rendered":"<!--powerpress_player--><div itemscope itemtype=\"http:\/\/schema.org\/AudioObject\"><meta itemprop=\"name\" content=\"Asymmetrical MonoLocution and a musical algorithm\" \/><meta itemprop=\"uploadDate\" content=\"2016-04-26T20:00:07+01:00\" \/><meta itemprop=\"encodingFormat\" content=\"audio\/x-m4a\" \/><meta itemprop=\"description\" content=\"Asymmetrical MonoLocution\n\nIs a new and experimental process where we attempt to re(create) meanings from just one side of a complex conversation, and in this instance one spoken in a second language.\n\n\n\nDr Lucilee Bach (Sorbonne Paris), is engaged i...\" \/><meta itemprop=\"contentUrl\" content=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/podcasts2016\/Isotopica-april-26th-2016-lucilee-monolocution-pod.m4a\" \/><meta itemprop=\"contentSize\" content=\"56.2\" \/><div class=\"powerpress_player\" id=\"powerpress_player_6377\"><a href=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/podcasts2016\/Isotopica-april-26th-2016-lucilee-monolocution-pod.m4a\" title=\"Play\" onclick=\"return powerpress_embed_html5a('6377','https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/podcasts2016\/Isotopica-april-26th-2016-lucilee-monolocution-pod.m4a');\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/powerpress\/playsimp2long5.png\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n<\/div><h1>Asymmetrical MonoLocution<\/h1>\n<p><span class=\"frameboxpaislybacknicoteen\">Is a new and experimental process where we attempt to re(create) meanings from just one side of a complex conversation, and in this instance one spoken in a second language.<\/span><\/p>\n<p><a href=\"https:\/\/www.theculture.net\/radio\/asymmetrical-monolocution-and-a-musical-algorithm\/kandinski\/#main\" rel=\"attachment wp-att-2104\"><br \/><\/a><figure id=\"attachment_2104\" aria-describedby=\"caption-attachment-2104\" style=\"width: 743px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theculture.net\/radio\/asymmetrical-monolocution-and-a-musical-algorithm\/kandinski\/#main\" rel=\"attachment wp-att-2104\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2016\/04\/kandinski.gif\" alt=\"kandinski\" width=\"743\" height=\"743\" class=\"wp-image-2104\" \/><\/a><figcaption id=\"caption-attachment-2104\" class=\"wp-caption-text\"><span class=\"sub3\">this image is of a musical algorithm in action (sort of).<\/span><\/figcaption><\/figure><\/p>\n<p>Dr Lucilee Bach (Sorbonne Paris), is engaged in a process of analysing,\u00c2\u00a0documenting and contextualising the historical studio practice of Simon Tyszko (Isotopica host: eccentric). In this episode the conversation had been broken into answer and response and then only one side (Dr Bach) is included in the composition. At the same time an algorithmically generated tonal pattern is overplayed in the style of modern music.<a href=\"https:\/\/www.theculture.net\/radio\/asymmetrical-monolocution-and-a-musical-algorithm\/sylvie-talibi-long-copy-2\/#main\" rel=\"attachment wp-att-2103\">\u00c2\u00a0<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2016\/04\/sylvie-talibi-long-copy-2.jpg\" alt=\"sylvie talibi long copy 2\" width=\"1160\" height=\"507\" class=\"aligncenter size-full wp-image-2103\" srcset=\"https:\/\/theculture.net\/radio\/wp-content\/uploads\/2016\/04\/sylvie-talibi-long-copy-2.jpg 1160w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2016\/04\/sylvie-talibi-long-copy-2-300x131.jpg 300w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2016\/04\/sylvie-talibi-long-copy-2-768x336.jpg 768w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2016\/04\/sylvie-talibi-long-copy-2-1024x448.jpg 1024w\" sizes=\"auto, (max-width: 1160px) 100vw, 1160px\" \/><\/a><a href=\"https:\/\/www.theculture.net\/radio\/?attachment_id=2102#main\" rel=\"attachment wp-att-2102\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Asymmetrical MonoLocution Is a new and experimental process where we attempt to re(create) meanings from just one side of a complex conversation, and in this instance one spoken in a second language. Dr Lucilee Bach (Sorbonne Paris), is engaged in&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/theculture.net\/radio\/asymmetrical-monolocution-and-a-musical-algorithm\/\">Tune in to this episode<span class=\"screen-reader-text\">Asymmetrical MonoLocution and a musical algorithm<\/span><\/a><\/div>\n","protected":false},"author":4,"featured_media":2104,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sonic-detours-with-simon-tyszko-on-resonance-fm-londons-premiere-arts-station","excerpt","zoom","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/2097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/comments?post=2097"}],"version-history":[{"count":0,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/2097\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media\/2104"}],"wp:attachment":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media?parent=2097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/categories?post=2097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/tags?post=2097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}