{"id":2112,"date":"2016-05-10T01:30:51","date_gmt":"2016-05-10T00:30:51","guid":{"rendered":"https:\/\/www.theculture.net\/radio\/?p=2112"},"modified":"2016-05-10T01:35:41","modified_gmt":"2016-05-10T00:35:41","slug":"post-dead-and-proud","status":"publish","type":"post","link":"https:\/\/theculture.net\/radio\/post-dead-and-proud\/","title":{"rendered":"Post Dead and Proud"},"content":{"rendered":"<h1>An Episode about Nothing, absolutely Nothing<a href=\"https:\/\/www.theculture.net\/radio\/post-dead-and-proud\/circle\/#main\" rel=\"attachment wp-att-2113\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2016\/05\/circle.gif\" alt=\"circle\" width=\"532\" height=\"532\" class=\"aligncenter  wp-image-2113\" \/><\/a><\/h1>\n<h6>\nFeaturing<\/h6>\n<h6>\negg<\/h6>\n<h6>\nalan lomax haitian field recordings<\/h6>\n<h6>\ncharles bukowski<\/h6>\n<h6>\nclapTON ensemble<\/h6>\n<h6>\nsimon tyszko<\/h6>\n<h6>\nnorth end road fulham field recordings<\/h6>\n<h6>\nBasil Kirchin &#8211; Heart Of The North<\/h6>\n<h6>\nOn A Clear Day &#8211; The Tony Hatch Orchestra<\/h6>\n<h6>\nfaust<\/h6>\n<table width=\"416\" height=\"19\">\n<tbody>\n<tr>\n<td><span class=\"frameboxpaislybacknicoteen\">La vie semblait s&#8217;\u00c3\u00aatre arr\u00c3\u00aat\u00c3\u00a9 l\u00c3\u00a0 devant le<br \/>Spectacle muet d&#8217;un lendemain d&#8217;orgie<br \/>Deux hirondelles s&#8217;\u00c3\u00a9taient depuis<br \/>Longtemps install\u00c3\u00a9es, leur caca clapotant se<br \/>Dess\u00c3\u00a9chait. seul triste, river ne pensait<br \/>Qu&#8217;\u00c3\u00a0 penser. de tout facon, comme il disait<br \/>Lui\u2026 et s&#8217;\u00c3\u00a9tait une phrase toujours<br \/>Interompue. un \u00c3\u00aaclair soudain devait le<br \/>Saisir. ses mains cherchaient un motif, une<br \/>Sympathie, n&#8217;importe quoi, de la douceur\u2026<br \/>Depuis toujours et jamias on ne disait<br \/>Toujours sans songer \u00c3\u00a0 l&#8217;aube du jour ou le<br \/>Vent, chaud sons corps, fou ses espoirs et<br \/>Avec charme il se masturber comme<br \/>Personne ne pouvait le faire, chaque<br \/>Mouvement \u00c3\u00a9tait alors un pas de plus vers<br \/>Elle. une poign\u00c3\u00a9e de coton hydrophile est<br \/>Un chapeau sur la t\u00c3\u00aate de Kerstin. j&#8217;ai senti<br \/>Tout \u00c3\u00a0 coup que le choc \u00c3\u00a9tait plus que<br \/>Probable, je n&#8217;\u00c3\u00a9tais pas supris, je n&#8217;avais<br \/>Pas peur. Rudolf avait frein\u00c3\u00a9 trop fortement<br \/>Et comme il ne conduit pas au m\u00c3\u00aame<br \/>Tempo que les villois\u2026 j&#8217;\u00c3\u00a9tais m\u00c3\u00aame curieux<br \/>Int\u00c3\u00a9ress\u00c3\u00a9 par les mouvements de la voiture<br \/>Le paysage \u00c3\u00a9volue dans une autre<br \/>Dimension. le code de la route est alors<br \/>Impuissant et d\u00c3\u00a9risoire: la voiture va o\u00c3\u00b9 elle<br \/>Doit aller sans respecter les divers<br \/>Obstacles qui sont ou ne sont pas l\u00c3\u00a0 ou<br \/>Ailleurs choc sourd et d\u00c3\u00a9cevant<br \/>Acc\u00c3\u00a9l\u00c3\u00a9ration centrifuge et tout redevient<br \/>Normal, normal et amusant. le syst\u00c3\u00a8me de<br \/>Notre civilisation se montre et tombe tr\u00c3\u00a8s<br \/>Vite dans l&#8217;\u00c3\u00a9fficace inhumain. il y a quand<br \/>M\u00c3\u00aame le moment ou les deux chauffeurs<br \/>Males communiquent. tout devient male<br \/>Asexue<br \/>Coup de foudre<\/p>\n<p>Kerzen, Tomatensaft<br \/>2 x 150 gramm Rindfleisch<br \/>Viel Obst, viel Obst, viel Obst<br \/>Viel Obst, viel Obst, viel Obst<br \/>Was zum trinken<br \/>Brot, Margarine<\/p>\n<p>Ch\u00c3\u00a8re chambre tu m&#8217;as longtemps regard\u00c3\u00a9<br \/>Quand j&#8217;\u00c3\u00a9tais nu sur le lit, quand je restais<br \/>Sans rien dire, longtemps. tu dois me<br \/>Conna\u00c3\u00aetre maintenant. j&#8217;ai vu le monde \u00c3\u00a0<br \/>Travers les trois yeux. j&#8217;ai v\u00c3\u00a9cu dans ton<br \/>Sein, tous mes instants vides, blancs, nuit<br \/>Yeux ouverts sur des pens\u00c3\u00a9es sans fin qui \u00c3\u00a0<br \/>Force de se retourner perdent ainsi leur<br \/>Sens, toutes mes humeurs et mes envies<br \/>Mon \u00c3\u00a9chec solitaire quand je peinds si<br \/>Longtemps chaque matin \u00c3\u00a0 grande peine et<br \/>Sagement. tu dois me comprendre<br \/>Parceque toi non plus, ta femme quand ca<br \/>Claque porte, tes coins o\u00c3\u00b9 passe le vent et<br \/>Le froid et la catastrophe, quand tu veux<br \/>Dire que tu ne sais pas. je les connais, je<br \/>Les ai observ\u00c3\u00a9s. toi aussi tu t&#8217;es ennuy\u00c3\u00a9e<br \/>Ma chambre. maintenent tout \u00c3\u00a0 changer<br \/>Est-ce-qu&#8217;un sentiment trop fort encoumbre<br \/>Le paysage. il est si tenu et tr\u00c3\u00a8s<br \/>Transportable. je m&#8217;en serts souvent et<br \/>Beaucoup l&#8217;accepte. je vois aussi que<br \/>Certaines humeurs se r\u00c3\u00a9p\u00c3\u00a9tent \u00c3\u00a9spac\u00c3\u00a9es de<br \/>Plusiers ann\u00c3\u00a9es<br \/>Nous devons peut-\u00c3\u00aatre accorder nos pass\u00c3\u00a9s?<br \/>&lt;\/span&gt;<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>An Episode about Nothing, absolutely Nothing Featuring egg alan lomax haitian field recordings charles bukowski clapTON ensemble simon tyszko north end road fulham field recordings Basil Kirchin &#8211; Heart Of The North On A Clear Day &#8211; The Tony Hatch&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/theculture.net\/radio\/post-dead-and-proud\/\">Tune in to this episode<span class=\"screen-reader-text\">Post Dead and Proud<\/span><\/a><\/div>\n","protected":false},"author":4,"featured_media":2113,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2112","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sonic-detours-with-simon-tyszko-on-resonance-fm-londons-premiere-arts-station","excerpt","zoom","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/2112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/comments?post=2112"}],"version-history":[{"count":0,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/2112\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media\/2113"}],"wp:attachment":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media?parent=2112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/categories?post=2112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/tags?post=2112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}