{"id":3030,"date":"2019-06-05T14:59:31","date_gmt":"2019-06-05T13:59:31","guid":{"rendered":"https:\/\/www.theculture.net\/radio\/?p=3030"},"modified":"2023-09-30T19:59:43","modified_gmt":"2023-09-30T18:59:43","slug":"mr-dante-fontana-and-some-free-jazz-as-political-lens-or-mirror","status":"publish","type":"post","link":"https:\/\/theculture.net\/radio\/mr-dante-fontana-and-some-free-jazz-as-political-lens-or-mirror\/","title":{"rendered":"Mr Dante fontana and some Free Jazz, as political lens, or mirror?"},"content":{"rendered":"<!--powerpress_player--><div itemscope itemtype=\"http:\/\/schema.org\/AudioObject\"><meta itemprop=\"name\" content=\"Mr Dante fontana and some Free Jazz, as political lens, or mirror?\" \/><meta itemprop=\"uploadDate\" content=\"2019-06-05T14:59:31+01:00\" \/><meta itemprop=\"encodingFormat\" content=\"audio\/x-m4a\" \/><meta itemprop=\"description\" content=\"\n\nThe song Mr Dante Fontanna, comes from the 1966 film Fumo Di Londra a vehicle for Alberto Sordi and was composed by Piero Piccioni\u00c2\u00a0who was in turn\u00c2\u00a0pianist, organist, conductor, composer, and architect, he was also the prolific author of more than...\" \/><meta itemprop=\"contentUrl\" content=\"https:\/\/media.blubrry.com\/isotopica\/www.theculture.net\/radio\/wp-content\/uploads\/podcasts2019\/isotopica-02-june-2019-mr-dante-fontana-and-some-free-jazz.m4a\" \/><meta itemprop=\"contentSize\" content=\"107.4\" \/><div class=\"powerpress_player\" id=\"powerpress_player_8495\"><a href=\"https:\/\/media.blubrry.com\/isotopica\/www.theculture.net\/radio\/wp-content\/uploads\/podcasts2019\/isotopica-02-june-2019-mr-dante-fontana-and-some-free-jazz.m4a\" title=\"Play\" onclick=\"return powerpress_embed_html5a('8495','https:\/\/media.blubrry.com\/isotopica\/www.theculture.net\/radio\/wp-content\/uploads\/podcasts2019\/isotopica-02-june-2019-mr-dante-fontana-and-some-free-jazz.m4a');\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/powerpress\/playsimp2long5.png\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n<\/div><figure id=\"attachment_3031\" aria-describedby=\"caption-attachment-3031\" style=\"width: 3264px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theculture.net\/radio\/mr-dante-fontana-and-some-free-jazz-as-political-lens-or-mirror\/lets-speak-italian\/\" rel=\"attachment wp-att-3031\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3031\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2019\/06\/lets-speak-italian.jpg\" alt=\"AntiFa\" width=\"3264\" height=\"3264\" srcset=\"https:\/\/theculture.net\/radio\/wp-content\/uploads\/2019\/06\/lets-speak-italian.jpg 3264w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2019\/06\/lets-speak-italian-150x150.jpg 150w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2019\/06\/lets-speak-italian-300x300.jpg 300w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2019\/06\/lets-speak-italian-768x768.jpg 768w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2019\/06\/lets-speak-italian-1024x1024.jpg 1024w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2019\/06\/lets-speak-italian-50x50.jpg 50w\" sizes=\"auto, (max-width: 3264px) 100vw, 3264px\" \/><\/a><figcaption id=\"caption-attachment-3031\" class=\"wp-caption-text\">a doctored image, not fake<\/figcaption><\/figure>\n<p>The song Mr Dante Fontanna, comes from the 1966 film Fumo Di Londra a vehicle for Alberto Sordi and was composed by <b>Piero Piccioni<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/b>who was in turn\u00c2\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Pianist\">pianist<\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Organist\">organist<\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Conducting\">conductor<\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Composer\">composer<\/a>, and architect, he was also the prolific author of more than 300 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Soundtrack\">film soundtracks<\/a>. He played for the first time on radio in 1938 with his \u201c013\u00e2\u20ac\u009d Big Band, to return on air only after the liberation of Italy in 1944. <strong>\u201c013\u00e2\u20ac\u009d<\/strong> was the first Italian jazz band to be broadcast in Italy after the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fall_of_Fascism\">fall of Fascism<\/a>. A facism which is unbelievably on the rise pretty much across the word, a phenomena not loosely connected with the climate emergency that is slowly enveloping us as millions flee wars and starvation at least partially caused by the climate disruption we are all ready seeing\u2026<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>I have often mentioned a proposed study into right Wing thought a disability, a deficiency in basic humanity and I guess in that case<span class=\"Apple-converted-space\">\u00c2\u00a0 <\/span>fascism would be it\u2019s cancerous analogue\u2026.<\/p>\n<p>The music of <b>Piero Piccioni t<\/b>o me represents that almost utopian period of optimism that sprang from the socialist post war settlement, the defeat of fascicm and the progressive redistribution of wealth creating<b> a socially mobile and aspirational society <\/b>that is in <b>complete contrast <\/b>to the , paraphrasing the <b>UN Special rapporteur <\/b>on<b> extreme poverty <\/b>in the <b>uk <\/b>he was describing an<b>\u00c2\u00a0immiseration of millions <\/b>of our<b>\u00c2\u00a0people, <\/b>and how the UK\u2019s poorest people face lives that are <strong>\u201csolitary, poor, nasty, brutish, and short\u00e2\u20ac\u009d.<\/strong><\/p>\n<pre>The description contains what has been called one of the best-known passages in English philosophy, which describes the natural state humankind would be in, were it not for political community:<sup class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Thomas_Hobbes#cite_note-22\">[22]<\/a>\n<\/sup>\n\nIn such condition, there is no place for industry; because the fruit thereof is uncertain: and consequently no culture of the earth; no navigation, nor use of the commodities that may be imported by sea; no commodious building; no instruments of moving, and removing, such things as require much force; no knowledge of the face of the earth; no account of time; no arts; no letters; no society; and which is worst of all, continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short.<sup>[23]<\/sup><\/pre>\n<p><sup id=\"cite_ref-22\" class=\"reference\">\u00c2\u00a0<\/sup><\/p>\n<h2>Yet<span style=\"font-size: 16px; background-color: #ffffff;\">\u00c2\u00a0Reading Corbyn\u2019s words yesterday had my head spinning, as our dreams of a socialist revolution coming to save the many from the few met Jeremy Corbyn&#8217;s absurd statement on his plans for an imaginary soft brexit.<\/span><\/h2>\n<p>This being both as absurd as Theresa May&#8217;s &#8220;brexit means brexit\u00e2\u20ac\u009d, and at the same time even more morally reprehensible, as his stance as leader of the greatest grass roots progressive movement in recent times, proves to be yet another tone deaf and deluded Blaire like dictator, feebly enabling and \u2018respecting\u2019 the most reprehensible political car crash and malign right wing coup in our political history.<\/p>\n<p>Just imagine\u2026\u2026<\/p>\n<p><em><strong>An internationalist \u2019Corbynism\u2019, defeating the hateful, abusive, and isolationist Brexit, could have been the shining light banishing the rising reactionary and xenophobic tide across Europe and the world, as we linked arms with our fellow Europeans to fight the truly vital issues of capitalist climate and ecological catastrophe, and together sheltering the many resultant refugees from a dying planet we have played such a large part in setting on fire.<\/strong><\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"http:\/\/destination-out.com\/media\/images\/mosaic-braxton.jpg\" width=\"1200\" height=\"1200\" \/><\/p>\n<p><b>Anthony Braxton<\/b> (born June 4, 1945) is an American composer and multi-instrumentalist who is known in the genre of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Free_jazz\">free jazz<\/a>.<sup>[1]<\/sup><\/p>\n<p>Since the 1960s, he has released more than 100 albums. , in addition to flute, alto flute, and piano.<\/p>\n<p>Braxton studied philosophy at <a href=\"https:\/\/en.wikipedia.org\/wiki\/Roosevelt_University\">Roosevelt University<\/a>. He taught at <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mills_College\">Mills College<\/a> in the 1980s, and was Professor of Music at <a href=\"https:\/\/en.wikipedia.org\/wiki\/Wesleyan_University\">Wesleyan University<\/a> from the 1990s until his retirement at the end of 2013.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>He taught music composition and music history, with a concentration on the avant-garde, In 1994, he was given a genius grant by the <a href=\"https:\/\/en.wikipedia.org\/wiki\/MacArthur_Fellows_Program\">MacArthur Foundation<\/a>. In 2013, he was named a 2014 National Endowment for the Arts Jazz Master.<sup>[2]<\/sup><\/p>\n<p>and back to\u00c2\u00a0Dante Fontana&#8230;.&#8221; is an antique dealer of Perugia, and is infatuated with British culture. But he is always thwarted by his wife and relatives, who see him as a silly dreamer who gets lost in stories rather than doing serious work.&#8221;<\/p>\n<p>Get your bowler hat at Lock.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Look around you.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>See who is around you.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Get that hat at Lock.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Buy your style of shoe at Lobb.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>It&#8217;s the done thing.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Stroll and walk around in shoes from Mr Lobb.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Your umbrella straight from Brigg.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Never never trust the weather ever.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Get your brolly from Brigg.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Then you&#8217;ll find at Fortnum &amp; Mason a beautiful red carnation.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>A moment of sweet fascination will linger with you.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>From Dunhill a pipe for the manly type.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Get your ties each day the Piccadilly way.<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n<p>Gentlemen everything is just okay &#8230;&#8221;<span class=\"Apple-converted-space\">\u00c2\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The song Mr Dante Fontanna, comes from the 1966 film Fumo Di Londra a vehicle for Alberto Sordi and was composed by Piero Piccioni\u00c2\u00a0who was in turn\u00c2\u00a0pianist, organist, conductor, composer, and architect, he was also the prolific author of more&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/theculture.net\/radio\/mr-dante-fontana-and-some-free-jazz-as-political-lens-or-mirror\/\">Tune in to this episode<span class=\"screen-reader-text\">Mr Dante fontana and some Free Jazz, as political lens, or mirror?<\/span><\/a><\/div>\n","protected":false},"author":4,"featured_media":3031,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37,3,42],"tags":[],"class_list":["post-3030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-goldstars","category-sonic-detours-with-simon-tyszko-on-resonance-fm-londons-premiere-arts-station","category-strange-and-eerie","excerpt","zoom","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/3030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/comments?post=3030"}],"version-history":[{"count":0,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/3030\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media\/3031"}],"wp:attachment":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media?parent=3030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/categories?post=3030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/tags?post=3030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}