{"id":3727,"date":"2020-04-03T04:52:53","date_gmt":"2020-04-03T03:52:53","guid":{"rendered":"https:\/\/www.theculture.net\/radio\/?p=3727"},"modified":"2020-09-14T17:46:32","modified_gmt":"2020-09-14T16:46:32","slug":"is-it-that-time-already","status":"publish","type":"post","link":"https:\/\/theculture.net\/radio\/is-it-that-time-already\/","title":{"rendered":"Is it that time already?"},"content":{"rendered":"<!--powerpress_player--><div itemscope itemtype=\"http:\/\/schema.org\/AudioObject\"><meta itemprop=\"name\" content=\"Is it that time already?\" \/><meta itemprop=\"uploadDate\" content=\"2020-04-03T04:52:53+01:00\" \/><meta itemprop=\"encodingFormat\" content=\"audio\/mpeg\" \/><meta itemprop=\"description\" content=\"\nIt&#039;s now always a late 1970&#039;s Sunday afternoon in the in the days of the contemporary Pest\n\n\n\nA mechanical timer prised from a discarded kitchen in a Bruxelles back street, provides an analogue rhythm around which we build today\u2019s program.\u00c2\u00a0 Camus p...\" \/><meta itemprop=\"contentUrl\" content=\"https:\/\/media.blubrry.com\/isotopica\/www.theculture.net\/radio\/wp-content\/uploads\/podcasts2020\/isotopica-29-3-2020-Is-it-that-time-already.mp3\" \/><meta itemprop=\"contentSize\" content=\"110.0\" \/><div class=\"powerpress_player\" id=\"powerpress_player_7287\"><a href=\"https:\/\/media.blubrry.com\/isotopica\/www.theculture.net\/radio\/wp-content\/uploads\/podcasts2020\/isotopica-29-3-2020-Is-it-that-time-already.mp3\" title=\"Play\" onclick=\"return powerpress_embed_html5a('7287','https:\/\/media.blubrry.com\/isotopica\/www.theculture.net\/radio\/wp-content\/uploads\/podcasts2020\/isotopica-29-3-2020-Is-it-that-time-already.mp3');\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/powerpress\/playsimp2long5.png\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n<\/div>\n<h2 class=\"wp-block-heading\">It&#8217;s now always a late 1970&#8217;s Sunday afternoon in the in the days of the contemporary Pest<\/h2>\n\n\n\n<p><strong>A mechanical timer prised from a discarded kitchen in a Bruxelles back street, provides an analogue rhythm around which we build today\u2019s program.\u00c2\u00a0 Camus provides some words, we tune in to some intercultural networked improvised music from The Ethernet Orchestra, sample a new livestream sound work from Matthew Olden, and all as we gently muse on our world spun upside down on an unfamiliar axis.<\/strong><\/p>\n\n\n\n<p>7-8PM <a href=\"https:\/\/en.wikipedia.org\/wiki\/UTC%2B01:00\">UTC+01:00<\/a> <a href=\"http:\/\/resonancefm.com\">resonancefm.com<\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"126\" height=\"196\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-3.jpeg\" alt=\"\" data-id=\"3731\" data-full-url=\"https:\/\/i1.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-3.jpeg?fit=126%2C196&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3731\" class=\"wp-image-3731\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"280\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-3.png\" alt=\"\" data-id=\"3732\" data-full-url=\"https:\/\/i0.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-3.png?fit=180%2C280&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3732\" class=\"wp-image-3732\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"259\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-4.jpeg\" alt=\"\" data-id=\"3733\" data-full-url=\"https:\/\/i1.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-4.jpeg?fit=194%2C259&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3733\" class=\"wp-image-3733\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"166\" height=\"215\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-5.jpeg\" alt=\"\" data-id=\"3734\" data-full-url=\"https:\/\/i1.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-5.jpeg?fit=166%2C215&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3734\" class=\"wp-image-3734\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"129\" height=\"215\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-6.jpeg\" alt=\"\" data-id=\"3735\" data-full-url=\"https:\/\/i2.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-6.jpeg?fit=129%2C215&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3735\" class=\"wp-image-3735\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"184\" height=\"274\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-7.jpeg\" alt=\"\" data-id=\"3736\" data-full-url=\"https:\/\/i1.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-7.jpeg?fit=184%2C274&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3736\" class=\"wp-image-3736\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"260\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-8.jpeg\" alt=\"\" data-id=\"3737\" data-full-url=\"https:\/\/i1.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-8.jpeg?fit=194%2C260&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3737\" class=\"wp-image-3737\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"282\" height=\"178\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-9.jpeg\" alt=\"\" data-id=\"3738\" data-full-url=\"https:\/\/i2.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-9.jpeg?fit=282%2C178&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3738\" class=\"wp-image-3738\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"178\" height=\"283\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-10.jpeg\" alt=\"\" data-id=\"3739\" data-full-url=\"https:\/\/i2.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-10.jpeg?fit=178%2C283&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3739\" class=\"wp-image-3739\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"259\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-11.jpeg\" alt=\"\" data-id=\"3740\" data-full-url=\"https:\/\/i1.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-11.jpeg?fit=194%2C259&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3740\" class=\"wp-image-3740\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"173\" height=\"291\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-12.jpeg\" alt=\"\" data-id=\"3741\" data-full-url=\"https:\/\/i2.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-12.jpeg?fit=173%2C291&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3741\" class=\"wp-image-3741\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"184\" height=\"273\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-13.jpeg\" alt=\"\" data-id=\"3742\" data-full-url=\"https:\/\/i2.wp.com\/www.theculture.net\/radio\/wp-content\/uploads\/2020\/04\/images-13.jpeg?fit=184%2C273&amp;ssl=1\" data-link=\"https:\/\/www.theculture.net\/radio\/?attachment_id=3742\" class=\"wp-image-3742\"\/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Ethernet Orchestra\u00c2\u00a0<\/h2>\n\n\n\n<p>is an Internet-based musical ensemble that explores intercultural improvisation through musical\u00c2\u00a0performances in located venues and on the web.\u00c2\u00a0Founded by trumpeter Roger Mills, the ensemble was formed to address the underrepresentation of the diverse musical cultures in online music making. \u00c2\u00a0The group combines electronic and traditional instruments, including Mongolian moron khuur (horse fiddle) and throat singing, tabla, \u00c2\u00a0Persian\u00c2\u00a0tanbur, tar, balaban, and the Japanese shakuhachi, blended with Buchla\u00c2\u00a0synthesizer, DX7, Ableton, voice, guitar, trumpet, and sax.\u00c2\u00a0<\/p>\n\n\n\n<p>Oceans between Sound is the second album by Ethernet Orchestra and covers a 4 year period of the groups performances and online jam sessions. It is free to download with artwork and CDR disc prints from the Chilean net label Pueblo Nuevo&nbsp;<a href=\"https:\/\/pueblonuevo.cl\/catalogo\/oceans-between-sound\/\">https:\/\/pueblonuevo.cl\/catalogo\/oceans-between-sound\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s now always a late 1970&#8217;s Sunday afternoon in the in the days of the contemporary Pest A mechanical timer prised from a discarded kitchen in a Bruxelles back street, provides an analogue rhythm around which we build today\u2019s program.\u00c2\u00a0&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/theculture.net\/radio\/is-it-that-time-already\/\">Tune in to this episode<span class=\"screen-reader-text\">Is it that time already?<\/span><\/a><\/div>\n","protected":false},"author":4,"featured_media":3744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sonic-detours-with-simon-tyszko-on-resonance-fm-londons-premiere-arts-station","excerpt","zoom","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/3727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/comments?post=3727"}],"version-history":[{"count":0,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/3727\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media\/3744"}],"wp:attachment":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media?parent=3727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/categories?post=3727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/tags?post=3727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}