{"id":434,"date":"2012-11-01T01:57:01","date_gmt":"2012-11-01T01:57:01","guid":{"rendered":"https:\/\/www.theculture.net\/radio\/?p=434"},"modified":"2015-05-07T15:09:18","modified_gmt":"2015-05-07T14:09:18","slug":"herbert-wright-tries-to-get-a-sensible-word-in","status":"publish","type":"post","link":"https:\/\/theculture.net\/radio\/herbert-wright-tries-to-get-a-sensible-word-in\/","title":{"rendered":"herbert wright tries to get a sensible word in"},"content":{"rendered":"<!--powerpress_player--><div itemscope itemtype=\"http:\/\/schema.org\/AudioObject\"><meta itemprop=\"name\" content=\"herbert wright tries to get a sensible word in\" \/><meta itemprop=\"uploadDate\" content=\"2012-11-01T01:57:01+00:00\" \/><meta itemprop=\"encodingFormat\" content=\"audio\/mpeg\" \/><meta itemprop=\"description\" content=\"\nThis week&#039;s Isotopica features the return of our roving architecture correspondent and blueprint magazine contributing editor, Herbert Wright. Herbert tries to get a sensible word in, and does an admirable job, despite tyszko&#039;s fixation on Portugues...\" \/><meta itemprop=\"contentUrl\" content=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-architecture-30-10-2012.mp3\" \/><meta itemprop=\"contentSize\" content=\"108.6\" \/><div class=\"powerpress_player\" id=\"powerpress_player_4481\"><a href=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-architecture-30-10-2012.mp3\" title=\"Play\" onclick=\"return powerpress_embed_html5a('4481','https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-architecture-30-10-2012.mp3');\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/powerpress\/playsimp2long5.png\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n<\/div><figure id=\"attachment_435\" aria-describedby=\"caption-attachment-435\" style=\"width: 494px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2012\/11\/simon-and-herb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-435\" title=\"simon tyszko and herber wright\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2012\/11\/simon-and-herb-300x224.jpg\" alt=\"\" width=\"494\" height=\"368\" \/><\/a><figcaption id=\"caption-attachment-435\" class=\"wp-caption-text\">herb and simon get groovy<\/figcaption><\/figure>\n<p>This week&#8217;s Isotopica features the return of our roving architecture correspondent and <a href=\"http:\/\/www.blueprintmagazine.co.uk\/\" target=\"_blank\">blueprint magazine<\/a> contributing editor, <a href=\"http:\/\/www.herbertwright.co.uk\/6.html\" target=\"_blank\">Herbert Wright<\/a>. Herbert tries to get a sensible word in, and does an admirable job, despite tyszko&#8217;s fixation on <a href=\"https:\/\/www.google.co.uk\/search?q=portuguese+custard+tarts&amp;hl=en&amp;safe=off&amp;client=firefox-a&amp;hs=kGl&amp;rls=org.mozilla:en-US:official&amp;prmd=imvnse&amp;source=lnms&amp;tbm=isch&amp;sa=X&amp;ei=CtaRUJOrAYqq0QX2x4HoDg&amp;sqi=2&amp;ved=0CAcQ_AUoAQ&amp;biw=959&amp;bih=478\" target=\"_blank\">Portuguese culinary custard<\/a><\/p>\n<p>We discuss, in the loosest possible way, the first <a href=\"http:\/\/www.lisboaopenhouse.com\/en\/home\/\" target=\"_blank\">Lisbon Open House<\/a> Event, the sale of Admiralty Arch, the dissolution of the house of Windsor and the proposed conversion of Buckingham palace into Artist studio&#8217;s and allotments. mixed with a series of treated and haunted 78&#8217;s, it&#8217;s Isotopica.<\/p>\n<figure id=\"attachment_436\" aria-describedby=\"caption-attachment-436\" style=\"width: 359px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2012\/11\/pastell-eyes.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-436\" title=\"pastell eyes\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2012\/11\/pastell-eyes-225x300.jpg\" alt=\"\" width=\"359\" height=\"478\" srcset=\"https:\/\/theculture.net\/radio\/wp-content\/uploads\/2012\/11\/pastell-eyes-225x300.jpg 225w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2012\/11\/pastell-eyes-768x1024.jpg 768w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2012\/11\/pastell-eyes.jpg 1200w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><\/a><figcaption id=\"caption-attachment-436\" class=\"wp-caption-text\">Tyszko demonstrates the correct way to see Portuguese<br \/>Pasteis de nata<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week&#8217;s Isotopica features the return of our roving architecture correspondent and blueprint magazine contributing editor, Herbert Wright. Herbert tries to get a sensible word in, and does an admirable job, despite tyszko&#8217;s fixation on Portuguese culinary custard We discuss,&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/theculture.net\/radio\/herbert-wright-tries-to-get-a-sensible-word-in\/\">Tune in to this episode<span class=\"screen-reader-text\">herbert wright tries to get a sensible word in<\/span><\/a><\/div>\n","protected":false},"author":4,"featured_media":435,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sonic-detours-with-simon-tyszko-on-resonance-fm-londons-premiere-arts-station","excerpt","zoom","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/comments?post=434"}],"version-history":[{"count":0,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/434\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media\/435"}],"wp:attachment":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media?parent=434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/categories?post=434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/tags?post=434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}