{"id":444,"date":"2012-11-06T16:49:47","date_gmt":"2012-11-06T16:49:47","guid":{"rendered":"https:\/\/www.theculture.net\/radio\/?p=444"},"modified":"2015-05-07T15:09:18","modified_gmt":"2015-05-07T14:09:18","slug":"draw-a-line-between-two-points","status":"publish","type":"post","link":"https:\/\/theculture.net\/radio\/draw-a-line-between-two-points\/","title":{"rendered":"Draw A Line Between Two Points"},"content":{"rendered":"<!--powerpress_player--><div itemscope itemtype=\"http:\/\/schema.org\/AudioObject\"><meta itemprop=\"name\" content=\"Draw A Line Between Two Points\" \/><meta itemprop=\"uploadDate\" content=\"2012-11-06T16:49:47+00:00\" \/><meta itemprop=\"encodingFormat\" content=\"audio\/mpeg\" \/><meta itemprop=\"description\" content=\"This week&#039;s Isotopica considers the line, and discusses such with\nRootstein Hopkins Research Chair of Drawing at the University of the Arts London, Professor Stephen Farthing.\nPoints are joined from the Ancient Egyptians through, Braque and Duchamp a...\" \/><meta itemprop=\"contentUrl\" content=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-6-11-2012-draw.mp3\" \/><meta itemprop=\"contentSize\" content=\"110.6\" \/><div class=\"powerpress_player\" id=\"powerpress_player_1379\"><a href=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-6-11-2012-draw.mp3\" title=\"Play\" onclick=\"return powerpress_embed_html5a('1379','https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/isotopica-6-11-2012-draw.mp3');\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/powerpress\/playsimp2long5.png\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n<\/div><p>This week&#8217;s Isotopica considers the line, and discusses such with<br \/>\nRootstein Hopkins Research Chair of Drawing at the University of the Arts London, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Stephen_Farthing\" target=\"_blank\">Professor Stephen Farthing.<\/a><br \/>\nPoints are joined from the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ancient_Egyptians\" target=\"_blank\">Ancient Egyptians<\/a> through, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Braque\" target=\"_blank\">Braque<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Duchamp\" target=\"_blank\">Duchamp<\/a> all the way through to present day london town.<\/p>\n<p>Marks left by ancient felt tip pens on rocks provide us with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Clues\" target=\"_blank\">clues<\/a> with which to form our conclusions.<br \/>\nSounds on a wire from <a href=\"https:\/\/t.co\/auoQE7aR\" target=\"_blank\">Alvin Lucier,<\/a> parenthesize our discussions.<\/p>\n<figure id=\"attachment_446\" aria-describedby=\"caption-attachment-446\" style=\"width: 700px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2012\/11\/alvin-lucier-al_small.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-446\" title=\"alvin lucier al_small\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2012\/11\/alvin-lucier-al_small.jpg\" alt=\"\" width=\"700\" height=\"529\" srcset=\"https:\/\/theculture.net\/radio\/wp-content\/uploads\/2012\/11\/alvin-lucier-al_small.jpg 700w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2012\/11\/alvin-lucier-al_small-300x227.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><figcaption id=\"caption-attachment-446\" class=\"wp-caption-text\">Alvin Lucier<br \/>Still and Moving Lines of Silence in Families of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Hyperbola\" target=\"_blank\">Hyperbolas<\/a><\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week&#8217;s Isotopica considers the line, and discusses such with Rootstein Hopkins Research Chair of Drawing at the University of the Arts London, Professor Stephen Farthing. Points are joined from the Ancient Egyptians through, Braque and Duchamp all the way&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/theculture.net\/radio\/draw-a-line-between-two-points\/\">Tune in to this episode<span class=\"screen-reader-text\">Draw A Line Between Two Points<\/span><\/a><\/div>\n","protected":false},"author":4,"featured_media":446,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-444","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sonic-detours-with-simon-tyszko-on-resonance-fm-londons-premiere-arts-station","excerpt","zoom","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/comments?post=444"}],"version-history":[{"count":0,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/444\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media\/446"}],"wp:attachment":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media?parent=444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/categories?post=444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/tags?post=444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}