{"id":719,"date":"2013-04-23T20:41:58","date_gmt":"2013-04-23T19:41:58","guid":{"rendered":"https:\/\/www.theculture.net\/radio\/?p=719"},"modified":"2015-05-07T15:09:17","modified_gmt":"2015-05-07T14:09:17","slug":"lilliane-lijn","status":"publish","type":"post","link":"https:\/\/theculture.net\/radio\/lilliane-lijn\/","title":{"rendered":"Lilliane Lijn"},"content":{"rendered":"<!--powerpress_player--><div itemscope itemtype=\"http:\/\/schema.org\/AudioObject\"><meta itemprop=\"name\" content=\"Lilliane Lijn\" \/><meta itemprop=\"uploadDate\" content=\"2013-04-23T20:41:58+01:00\" \/><meta itemprop=\"encodingFormat\" content=\"audio\/mpeg\" \/><meta itemprop=\"description\" content=\"This weeks\u00c2\u00a0Isotopica\u00c2\u00a0features a wide ranging and difficult to edit (so much wonderful material) discussion with kinetic\/science art\/multidisciplinary artist\u00c2\u00a0Liliane Lijn.\n\n\nAmerican born, of Russian diaspora parentage Lijn, studied archaeology at ...\" \/><meta itemprop=\"contentUrl\" content=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/Isoptopica-23-04-2013-Lijn-up.mp3\" \/><meta itemprop=\"contentSize\" content=\"97.8\" \/><div class=\"powerpress_player\" id=\"powerpress_player_8077\"><a href=\"https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/Isoptopica-23-04-2013-Lijn-up.mp3\" title=\"Play\" onclick=\"return powerpress_embed_html5a('8077','https:\/\/media.blubrry.com\/isotopica\/theculture.net\/radio\/wp-content\/uploads\/Isoptopica-23-04-2013-Lijn-up.mp3');\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/powerpress\/playsimp2long5.png\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n<\/div><p>This weeks\u00c2\u00a0<i>Isotopica<\/i>\u00c2\u00a0features a wide ranging and difficult to edit (so much wonderful material) discussion with kinetic\/science art\/multidisciplinary artist\u00c2\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/Liliane_Lijn\" target=\"_blank\">Liliane Lijn.<\/a><\/p>\n<div>\n<div>\n<div>American born, of Russian diaspora parentage Lijn, studied archaeology at the\u00c2\u00a0<i><a title=\"Sorbonne\" href=\"http:\/\/en.wikipedia.org\/wiki\/Sorbonne\" target=\"_blank\">Sorbonne<\/a><\/i>\u00c2\u00a0and Art History at the\u00c2\u00a0<i><a title=\"Ecole du Louvre\" href=\"http:\/\/en.wikipedia.org\/wiki\/Ecole_du_Louvre\" target=\"_blank\">Ecole du Louvre<\/a><\/i>, in Paris. At the same time Lijn began to draw and paint, (although she didn\u2019t attend art school), whilst taking part in meetings of the Surrealist group, where she met the French writer, poet and theorist\u00c2\u00a0<i><a title=\"Andr\u00c3\u00a9 Breton\" href=\"http:\/\/en.wikipedia.org\/wiki\/Andr%C3%A9_Breton\" target=\"_blank\">Andr\u00c3\u00a9 Breton<\/a><\/i>.<br \/>\nThe writers and poets\u00c2\u00a0<a title=\"William Burroughs\" href=\"http:\/\/en.wikipedia.org\/wiki\/William_Burroughs\" target=\"_blank\">William Burroughs<\/a>,\u00c2\u00a0<a title=\"Gregory Corso\" href=\"http:\/\/en.wikipedia.org\/wiki\/Gregory_Corso\" target=\"_blank\">Gregory Corso<\/a>,\u00c2\u00a0<a title=\"Sinclair Beiles\" href=\"http:\/\/en.wikipedia.org\/wiki\/Sinclair_Beiles\" target=\"_blank\">Sinclair Beiles<\/a>\u00c2\u00a0and\u00c2\u00a0<a title=\"Brion Gysin\" href=\"http:\/\/en.wikipedia.org\/wiki\/Brion_Gysin\" target=\"_blank\">Brion Gysin<\/a>\u00c2\u00a0were in the same circle as Lijn, and their book on \u2018cut-ups\u2019 entitled\u00c2\u00a0<i>Minutes to Go<\/i>\u00c2\u00a0had previously been launched at the\u00c2\u00a0<i>Librairie Anglaise<\/i>\u00c2\u00a0in 1960.<\/div>\n<\/div>\n<p>We discuss her works and life touching on projects that include Chemin De Fer (<a href=\"http:\/\/www.lilianelijn.com\/archive\/pog01.html\" target=\"_blank\">The Power Game 1970-present day<\/a>), Prisms, working with NASA scientists and much in between. this just may be part one of two&#8230;<\/p>\n<\/div>\n<p><a href=\"https:\/\/www.theculture.net\/radio\/lilliane-lijn\/powergame\/\" rel=\"attachment wp-att-720\">Liliane&#8217;s website is at\u00c2\u00a0<\/a><a href=\"http:\/\/www.lilianelijn.com\/\" target=\"_blank\"><span style=\"color: #3d89f5; font-family: Futura;\">www.lilianelijn.com<\/span><\/a><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-720\" alt=\"powergame\" src=\"https:\/\/www.theculture.net\/radio\/wp-content\/uploads\/2013\/04\/powergame.jpg\" width=\"338\" height=\"265\" srcset=\"https:\/\/theculture.net\/radio\/wp-content\/uploads\/2013\/04\/powergame.jpg 338w, https:\/\/theculture.net\/radio\/wp-content\/uploads\/2013\/04\/powergame-300x235.jpg 300w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><br \/>\nThe Power Game\u00c2\u00a0\u00c2\u00a0\u00c2\u00a01970<\/p>\n<p>The card game originally called Keys consists of 52 playing cards with a printed word on each side.<br \/>\nFirst performed in 1974 at the International Festival for Democracy in Chile, Royal College of Art, London in collaboration with Alistair Mackintosh.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This weeks\u00c2\u00a0Isotopica\u00c2\u00a0features a wide ranging and difficult to edit (so much wonderful material) discussion with kinetic\/science art\/multidisciplinary artist\u00c2\u00a0Liliane Lijn. American born, of Russian diaspora parentage Lijn, studied archaeology at the\u00c2\u00a0Sorbonne\u00c2\u00a0and Art History at the\u00c2\u00a0Ecole du Louvre, in Paris. At the&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/theculture.net\/radio\/lilliane-lijn\/\">Tune in to this episode<span class=\"screen-reader-text\">Lilliane Lijn<\/span><\/a><\/div>\n","protected":false},"author":4,"featured_media":720,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sonic-detours-with-simon-tyszko-on-resonance-fm-londons-premiere-arts-station","excerpt","zoom","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/comments?post=719"}],"version-history":[{"count":0,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/posts\/719\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media\/720"}],"wp:attachment":[{"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/media?parent=719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/categories?post=719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theculture.net\/radio\/wp-json\/wp\/v2\/tags?post=719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}